Altered: Looking Back/Going Forward at Minnesota St Project
Since our inception in 2007, OFFspace has staged a dozen exhibitions in unexpected spaces and host galleries. Featuring the work of over 100 artists from across the United States, Latin America, Europe, the Middle East and Asia. Besides being pioneers of site specific curation in the Bay Area, OFFspace has singled itself out by creating shows with an wide range of artists and practices; bringing together emerging, mid-career and established artists, Bay Area and international art makers, as well as diverse genders and races.
To celebrate passing the 10-year mark OFFSpace proudly hosted Altered, a show part retrospective and part curatorial experiment. Altered evolved throughout the run being “re-curated” weekly by OFFSpace and invited partner curators, featuring a different theme and works with each iteration.
Over thirty artists who have shown with OFFspace throughout our 10+-year career will share work to create a physical library in one … Read More »
Ruptures, staged at 21 Grand Gallery in Oakland, CA examined the uncanny and familiar at the edges of our everyday. Artists often function as oracles, imagining the future in a fast changing world. Dan Grayber, Marya Krogstad, Yael Zaken, Ashley Harris and Jeremy Newman contributed works that required a double take, and questioned just what lies within the bounds of normalcy.
Loosely defined as doubts as to whether an apparently animate being is really alive; or conversely, whether a lifeless object might in fact be animate and encompassing notions of anxiety, the abject, synchronicity and simulacra; the uncanny has migrated from the fringes of our collective consciousness into the realm of the quotidian. Artificial intelligence, smart machines, biological and genetic alterations no longer belong solely to science fiction or futurist scenarios but are ubiquitous in our daily lives. As the boundaries between … Read More »
Transience at Classic Car West Gallery in Oakland
Featuring the work of Christopher Burch, Marya Krogstad, Christopher McNulty, Karrie Hovey, MAP (Peter Foucault and Christopher Treggiari).
With all of the movement and upheaval in Oakland, the Bay Area and beyond it’s only fitting that OFFSpace located this, its 11th exhibition, in a car showroom in West Oakland—an epicenter of transformation and tumult with a rich cultural and political history. The automobile is, after all, the quintessential American symbol of movement and “freedom”.
How then, does an exhibit explore transience, transience being after all an elusive state, a metaphorical place, a terrain fertile with yet unnamed trajectories, possibilities and ideas?
Reaching far beyond this primary symbol, and reflective of this space in flux the work presented in Transience shifts between the concrete and poetic. Embodying both concepts, Marya Krogstad’s Untitled is tangible yet evanescent, displaying shifting possibilities and repelling any … Read More »
The Chapel of the Chimes, aside from its historical importance and architectural beauty serves as a site of repose, contemplation, transcendence and remembrance. It is, on many levels, easy to draw comparisons of intent and use between the chapel and museums, as places where history, beauty and the sublime—the intuition that there is something powerfully beautiful and fearsome beyond our quotidian experience—coexist.
It is as impossible to consider the fact of death without memorials to the departed and the practice of rituals as it is impossible to contemplate contemporary art practices without the vitality of performance art. Using the idea of “the ever after” as a starting point, artists explore notions of observance, grief, longing and wonder. Poignancy, playfulness and sharp insights into the nature of the eternal are the common threads used to weave a series of site-specific mini-installations and … Read More »